Sagher Manchanda

Book Title : Pluck Out The Heart

Pluck Out The Heart is something beyond an anthology; It is a unique venture by five authors. Based on the horror/dark genre, this book stands out to be a variation in the approach to scary tales. Just as it will manage to run a long nail down your freezing spine, Pluck Out The Heart is manicured with an intention to tell newly thought stories to the readers, page by page. The macabre wave of the revenant has been woven through the emotions in each story, as the characters in them are created to touch your heart and their darker part is sure to pluck it out! Another differentiating feature of this book is that the authors haven’t gone for the usually read and clichéd commercial plotlines. Each tale that is told in the further pages is a well-chiselled work of art by the respective writer. We chose this topic after analyzing that the excitement about horror tales among the readers/audience is declining, owing to the fact that the creators are consistently failing to give the readers something fresh. That’s where Neelam Saxena Chandra and Nalini Srivastava came up with the idea of coming up with a compilation of such stories. All the authors have made the best use of available sources to conduct a stern research on the theme. Selecting or inventing the backdrops has been time-consuming, as many modern story books have already used the regular ones. Nevertheless, we stuck to a self-chanted motto: “Feed Them Fresh”. Unlike other genres, horror runs through a different pipeline and is viewed with a completely different perspective. It requires an extravagant mindset and sense of creativity to pen stories on such a genre as the readers expect avant-garde level of novelty when it comes to horror. Keeping this in mind, we five authors, viz. Neelam Saxena Chandra, Shail Raghuvanshi, Nalini Shrivastava, Nikhil Katkar and Sagher Manchanda, have joined hands and resolved to bring out our best through this book.

“Sometimes, we do not get a chance to thank each one who has helped us in our Journey.”  Let the readers get a chance to know about all the important people who have played a part in this ‘Creative Journey of Yours’.

One’s beliefs, choices and reactions make and break the person. However, there is always a pivot (or many) in everybody’s journey who influences us and helps us get through. In my journey, my parents have been those two pillars. With all the efforts and sacrifices that they have had to make while supporting me in my journey, they’ve also accepted my choice of profession with utmost patience and understanding, which is still a rarity in families. Filmmaking and writing (and most forms of art for that matter) are still looked down upon in our society, and still struggle to fight for their place as preferred career options next to the mainstream ones. My parents have gone through all sorts of criticism coming from our relatives, friends and peers for my “different” career selection. Most remarks made have been quite derogatory and discouraging, and yet my parents have bravely supported me against all odds. So yes, I would definitely like to thank them first.
Then I express my gratitude towards my mentor in the literary writing field, Mrs. Neelam Saxena Chandra ji, the renowned and respected Indian writer who, inspite of being on a much higher stage in her career, was the first person to recognize my writing talent and patiently read everything that I used to write back when I started writing as a teenager. It was Didi’s (as we lovingly and reverently call her) humble nature, her guidance, and her insurmountable support that groomed me as a writer and poet. And then she was kind enough to offer me to collaborate with her and two other well-known authors on an anthology in 2015. This book gave me the centerstage and the adulation that I needed (and still do) to build my future upon in the years to come. Neelam Didi can be rightly called my “Guru”.

And, I thank my English teachers, the readers of my writing work and the viewers of my short films for relating to my vision and understanding my intent behind telling the stories that I have told so far, and for duly appreciating them heartily.

 Tell us a bit about your shift from writing to movie making? Which is your favourite visual media creation by you till date?

Films have always been my most preferred escapades ever since I was a kid. Growing up in a small and forlorn town in Maharashtra, my tryst with films began in traditional and minimalistic single screen theatres since there were no multiplexes there. I never cared what language a film was in if it was checking the boxes on my list of expectations. I’ve always looked for enthrallingly unique and layered stories in films that would leave the viewer lost in thought. If a film managed to have me zoned out as I walked out of the cinema hall, it stayed with me for the longest time. I ended up forming theories and solving them about what might’ve happened in the world of such a movie further.

And eventually, I grew up to writing what I would love to read and watch myself. So, my transition from literary writing to movie-making is all about having the viewers’ jaws dropped by the excellence of the story, and not by showing sneak-peaks of a woman’s person or by showing action that defies both physics and common sense. Well, that is a slightly different argument, but it only tries to ascertain that my sole intent is to set viewers thinking.
I can’t pick my most favourite media creation till date, but I can tell you about the one that is extremely close to me for a host of reasons. In 2017, on a budget of 3000 rupees, I made a short film called “The Out”. It’s a one-man film about a lonely salesperson who discovers the mind palace memory technique and then goes crazy using it. This project remains the closest to me because I had a near-fatal experience while shooting it. And the other reason is that the film went on to be selected and screened in two important film festivals in California and Italy, and I got offered a broadcasting contract for it. It also led me to win a prestigious award in my college.

 Are you working on anything at the present you would like to share with your readers    about?

I have been developing my debut feature-length film (as a writer/director), a psychological thriller, since late 2018. After passing through several phases including the coronavirus lockdown, the project now sees light at the end of the tunnel, and should go on floors in the coming months. It offers an intriguing plot and a completely unpredictable and layered conclusion. We hope that it will resonate with the viewers in India and overseas.
Besides this, I have developed a mini-series of the fantasy/mystery genre which has fortunately evoked the interest of a few producers. I have my fingers crossed.

 With so many controversies and issues revolving around Indian Cine Industry these days, how do you feel a new comer or an independent moviemaker should navigate his/her way? As a budding movie-maker, how much experimentation have you done with your craft?

I feel that if a filmmaker is dedicated to their craft and is truly determined to tell stories visually, there’s nothing that can stop them. If one has a goal or a target, they eventually invest all their time and effort into achieving it, without caring about the ongoing noise. Yes, the recent controversies may have tainted the image of the Indian Cine Industry, but they also now throw the spotlight on younger talent with an opportunity for them to take control and restore the lost pride of this country’s cinema. I am certainly a part of this new league and have been working towards doing the same. It’s all about valuing your own potential (because it is highly unlikely that the others will) and staying consistent despite all the negativity that comes bundled with rejection. I believe in the adage, “You have to bring yourself”, and that keeps me going without relying on anybody else for the most part. That is how an aspiring filmmaker should venture forward in today’s scenario.
Since I am a student of English literature, my approach to filmmaking is heavily influenced by the elements of modernism and post-modernism. However, since I am also an avid reader of books on science and technology, psychology, etcetera, my stories tend to explore (and at times artistically exaggerate and expand) the horizons of human mind and the wonders that it can perform. This experimentation is evident in almost all my work.

 You have been a contributing author to a horror anthology, ‘Pluck Out The Heart’. Please tell our readers a bit about it.

Pluck Out The Heart was a golden opportunity gifted to me by Neelam Didi. When she and the others involved in the book were conceptualizing it, they agreed upon a common intent of revolutionizing the horror genre by telling stories that aren’t only riddled with jump scares, but also have rich plotlines that weave the eerie effect throughout subtly. When I was offered the project, I happily agreed to do it because apart from being an opportunity to give my writing a platform, Pluck Out The Heart was a project, a collaborator would be proud of.
Since I was the youngest writer in the team (20 years old then), the others were humble enough to give me center stage by letting me have the maximum number of stories in the book (5) and by placing these stories right in the beginning of the book. That is an honour I can never forget. The book did garner a wonderful response from the critics and readers. It is still available for Kindle readers if I am not wrong.

 According to you which are the 5 books, everyone should read and also who are your top 3 Authors and what impact they had in your journey as a writer?

The Godfather by Mario Puzo, Silence by Shusaku Endo, Crime & Punishment by Dostoyevsky, Delhi by Khushwant Singh, andTo Kill A Mockingbird by Harper Lee are the 5 books that everyone should read. Each aforementioned book is from a different corner and of the world and belong to different eras. These can present to the reader an overview of the world and its different cultures (well, almost).
My top authors are Shusaku Endo (Japan), Stephen Hawking (England) and Alex Rutherford (England). Their works have shaped me up as a writer and have had an enormous impact on the subjects I choose or the way I present a certain topic. For instance, Hawking was not originally an author, as we know. He was an cosmologist who lucidly wrote, A Brief History Of Time in the 80’s, and it was the first time in the history of the world that a book of science and astronomy had sold millions of copies which were also being read by teenagers and toddlers. Such was his way of simplifying the complexities of the universe to the commoners. He also used tinges of humour (and sarcasm) in his writing, which helped readers coming from all backgrounds easily connect to his theoretical narratives.
Then, Alex Rutherford, which is actually a collective pen-name for a married British couple who have traveled to the middle eastern countries to collect authentic data before writing the famous, Empire Of The Moghul series. What I absolutely love about their books is the rich vocabulary, and a gifted sense of not letting their narrative get clogged because of the multitude of adjectives they have used in their publications. Not to forget, there is detailed historic accuracy coupled with intriguing fiction found in their books.
Shusaku Endo’s writings are mostly based on god, faith and religion, and offer a newer and more critical perspective (at times relentlessly satirical). His novel, Silence (1966) is a classic example of his views on the ideas he focuses on.

 Tell us a bit about your family, likes and dislikes as a person. 

We are a nuclear family of 3 – my parents and I. My mother is a Reiki master and is now gradually venturing into astrological studies, owing to her fine intuitive sense. I get my taste for exciting and thrilling stories and films from her. She is someone who isn’t easily impressed by stories unless they completely capture her mind and tick the right boxes on her list of criticism. My father is an all-rounder – he is an excellent chef, a born marketer, and someone with an active presence of mind and commendable communication skills. There is a scene in The Wolf Of Wall Street wherein Leonardo DiCaprio asks a room full of people to try to sell him a pen. I think my father can do it best. We three have a good camaraderie together, and enjoy each other’s company, good food, music,along with sharing all the joys and sorrows amongst us.

I am an artist, a science enthusiast, and a person who believes in changing for good. I like the ideas of evolution, time, and belief in the self. As a non-theist, I consider the human mind to be paramount, and reckon that nothing exists above it. I am also a lover of food, and it is always a task keeping my weight in check. What I do not like is stubborn, extremely traditional and rigid mindsets that keep one from accepting change and advancing. I believe it is toxic and hampers the growth of the society as a whole.

 Could you share a few tips for Young Authors? How is writing a story different from script writing and how budding scriptwriters should work on improving their skill?

Be it writing a story or a script, the eventual inevitable goal is to “tell a story”, where the former is literal and the latter is visual. A story is more difficult to write because the entire onus of elucidating the events piece by piece and describing the characters, the setting falls on the writer. Stories are wholesome and (should) exist without any external aide. Therefore, it is quite challenging being a storywriter. Young authors must always fish for new ways of telling stories. This novelty can either be in the subject itself, or in the uniqueness of genre or in the entire presentation itself.

Not that scriptwriting is a piece of cake; It has its own aspects and it requires a lot of skill and visual sense to write a script. Scripts are born out of stories and each script is a rendering of a certain story. A good scriptwriter understands that a script isn’t the end product or the end of the process (unlike stories), it is the beginning. Scripts travel from writers to producers, directors, stylists, art directors and reach the editor in the end. And like a game of Chinese whisper, it may (mostly) gets modified or distorted or misinterpreted due to the intervention by several people. This can have a huge impact on the final film and its success factor. Therefore, at the scripting stage, a writer must be prudent enough to explain the story in way that the message remains intact even after going through several hands, and the finished product holds on to the soul of the story originally written. This requires a lot of practice and experience to master.

Scripts are always at the mercy of the production unit to achieve fruition. Therefore, it is of utmost importance that scripts are written in proper format (the globally accepted and understood format). Writers must remember that scripts are NEVER to be written on Word, Docs, Notepad, WordPad and their other counterparts (basically note-taking software). This way, they become an endless mush of all the elements involved, and it becomes tedious trying to segregate everything and make sense out of the script. There is software specifically available for writing scripts that auto-format the data into globally accepted formats. This helps all people reading the script understand it better.

Another golden rule for both script and story writers, is to understand the niche target (readers or viewers) for their respective style of writing. This way, they can easily determine who to connect with and approach for selling their work. Writing is one process, but selling the written work is another. It is a different ballgame that involves good communication, social and professional skills. Maintaining clarity while pitching one’s work is of the essence.

At Sharing Stories, we have an ongoing campaign ‘World Harmony through Writing’ where we encourage writers to pen down their deepest internal thoughts, daily for at least fifteen minutes. Their new ideas and profound thinking shall help to bring out some positive changes in the world we live. We would love to hear your thoughts about this initiative.Do you view writing as a kind of spiritual practice?

Undoubtedly, writing is therapeutic. Expressing one’s thoughts, feelings, reactions and concerns is natural to all living beings. And as sapiens, we are blessed with the ability to articulate our ideas in a more concrete manner. Not only writers, but any person living and breathing can write. All it needs is a pen and parchment to get going with all that one thinks. Thoughts are unique to humans, and bringing them out is the most beautiful gift we can ever have. I feel that this venture by Sharing Stories is quite thoughtful and it will only help more readers relate to writers, inspiring them to bring out their emotions on paper. Whenever I write, it is always a result of the piling thoughts overflowing. Therefore, I understand what it means to express through writing, and I stand with Sharing Stories in this endeavour.

What if Round 

What if you had to live with only three things all your life, what would the three things be?
Family, Food, Cinema

What if you were given the power to change one thing from this world, what would you change?
The Scriptures

What if you had all the money in this world, what would you do first?

I would invest in Artificial Intelligence, Agricultural, & Space Exploration ventures.

Rapid Fire Round

Favourite Place, Person, Food, beverage –  Banff (Canada), Christopher Nolan, Biryani, Coffee

Your other Talents –Illustration, Music Production

Your First Love – Food

Favourite Quote –  “Show Me A Thoroughly Satisfied Man And I Will Show You A Failure.” (Thomas A. Edison)

Favourite Character from a book –  Vito Corleone from The Godfather

Free Consulting